POLKcast: John Fynn’s fabulous fascinators
POLKcast Episode
Key:
MF: Madison Fantozzi
LB: Leah Bartholomay
JF: John Fynn
JF:
Bec
ause, I always wanted to do something that would make people
—
you know
—
look
like you’re crazy!
[Theme Music]
MF:
Welcome back to POLKcast! Polk State’s podcast! I’m your Host Madison Fantozzi!
LB:
And I’m your Co
–
host, Leah Bartholomay!
JF:
[Laughs]
MF:
We
’re here today with John Fynn. Most people know him for his mentorship and his
passion for advising Polk State’s Students. He has served as an academic advisor and
works with TRO Student Support Services that provide resources to underrepresented
students.
Most recently he has developed Polk State’s Louis Stokes Alliances for
Minority Participation program
which is better known as LSAMP here on Campus. And it
is part of the Central Florida STEM Alliance. That’s
—
that’s
a National Science
Foundation partnersh
ip under LSAMP.
And s
o, the goal is to broaden participation of
underrepresented minorities in science technology, engineering and mathematics
—
but
some people might not
know that Fynn is also a collector of African
–
mask and clothes
and he’s exhibited
his
pieces here at Polk State in the art galleries. But you guys might
not
—
might
also not know that he makes his own pieces
—
specifically hats and
fascinators! So
,
welcome to
the show thanks for being here today!
JF:
Thank you!
MF:
So, you brought some of your hats here today. What do you think about that Leah?
Which one’s your favorite?
LB:
Oh my gosh, the
y’re
awesome
—
they’re
—
the
y’re
really awesome!
The
y’re
five hats on
displ
ay with five mannequin heads. Which they all have names!
JF:
Yeah.
LB:
Am I correct?
MF:
Yeah, tell us
—
tell us their names?
JF:
I have Shakisha, I have Karen, I have Dot, I have
—
Twent
e,
and I also have Stacey.
LB:
That is awesome!
MF:
Do they each kind of have their own style, or is there a specific hat that goes with each
of their personalities?
JF:
Not really, but we just laugh about it. Like
—
like family and I we’ll
just laugh about it
—
like we just put on
—
I remember one of the times
—
S
hakisha’s neck got broken.
LB:
[Laughs]
JF:
[Laughs]
Because
—
y
ou know
—
one of my little nephews was playing with
it
—
mannequin and broke it, so we had to bandage her neck and you know things like
—
LB:
Aww.
JF:
So, we just give them names.
LB:
Shakisha has a
little glue.
JF:
[Laughs] A little glue on it.
LB:
Oh, t
hat’s funny! Yeah, they’re really great! There’s like a
—
There’s
—
I don’t want to say
ribbons, but there
—
there beautiful one’s sort of like a top hat
sort of fashion, another
has some feathers, and there all very unique and different,
like
shapes and sizes. The
y’re
really neat!
MF:
Lots of orange and pink, is that for summer?
JF:
Yeah, it’s for summer. Summer is more like orange
—
you know
—
the pastel co
lors
—
like
orange, the
—
lilacs
—
the cresha, like cerise, which is another color, is more like a
reddish
—
this thing and the blushes
is stuff
like that
—
those are the colors
for the
summer.
MF:
Really cool! So, tell us how you got into the art of making hats?
JF
:
The
—
Millinery is something I’ve
—
liked, I’ve always been fascinated about hats, because
my mom is an avid hat wearer. As a kid she used to wear hats to
f
unctions. She did a lot
of
—
she went to a lot of weddings. We did not understand how we
—
in schools some
of
our friends will be like “I’ve never been to a wedding.” and I’m like “How come you’ve
not been to a wedding!” because we use to go weddings almost every Saturday. Like in
the summer, my mom will get invites for weddings, and she would not repeat a hat
. So,
we were like for Mother’s Day, for Christmas stuff, we’re buying her hats. And in
London
—
the place you could buy a hat was really
—
nice was like John Lowers or
Debenhams and they were expensive. So, as I was growing up in my teen years, I used
to walk
by the malls of stuff and just look at these hats
—
in the Windows and
just
—
was
so fascinated with the mannequins with the hats on. And I just keep looking,
and
just
keep
, and just keep
looking and I said
, “Y
ou know what
?
I’m going to start making hats.
”
So
, what I did was got books and started reading on hat making
—
and
—
if I go to the
library, I’ll do my school work and then I’ll just take a book on Millinery and just be
reading and look at the p
ictures
and do some sketches and stuff. So, in 1998
—
I think
tha
t was just after I
—
finished
—
my undergrad, and
—
my next
–
door neighbor was having
a wedding. And my mom was like “I have to go to this wedding and have to look like
—
I
want to dress more than the
—
bride’s
—
mom.”
LB:
[Laughs]
JF:
So, I was like “
Well what are you going to do?” You know
,
she said
,
she needs to get a
big hat. And I said “Okay, I’m going to do my first hat for you then.” So, I worked
—
I read
about it, and I got this a
—
it was a lilac hat and it had all these feathers around the hat,
an
d when we
—
my mom wore that hat, it was like out of this world. She just came out of
the car and people thought she was the
—
Groom’s mom
—
actually and
—
LB:
So, it worked!
JF:
She was like “No!” [Laughs] She’s not
,
you know,
and but she was
—
she was
—
because
she
was
like really invited because we were close to
—
the Groom
.
We’re going
to sit at
the very front. So, she walked up there and ever since that time, it gave me the
confidence to do
—
more hats. I said, “Well I did it!” And
I don’t’
—
I have not been
trained
, a
nd so
I
just thought
, “
Okay, t
hat’s cool
!
I could do it next time
!”
and
then
I
started working with her, like doing different hats for her.
LB:
That is great!
JF:
Yeah!
LB:
Does she still have your very first hat?
JF:
She does! She Does! Yeah
—
She has a
—
she
has a
whole
—
bunch of hats. Like she has a
closet of hats. And most of the time her friends and family members
would
—
when
going to an event,
would go to her
house to pick up
a
hat.
LB:
[Laughs]
JF:
Even when she’s not there.
You know
—
MF:
Wow.
JF:
T
hey be like “
Okay, c
an we go in and can we ask her
how
’s this thing to
—
help
to
—
open
your
closet, so we can pick out a hat?” and she be like “Okay, send me the picture. Let
me see which on you picked
up
and bring it back after.”
LB:
[Laughs] So, she can mar
k it down in Inventory!
JF:
[Laughs] Yeah, so she can mark it down
—
you can say that
—
Yeah this is
—
this was taken
back. Yeah, she has lot of hats.
MF:
How many hats have you made in your time, since you’ve been making hats?
JF:
I was thinking of it on the w
ay here, and I said
, “You know,
I can’t even count
, bec
ause
I
have made so many hats.
”
I’ll probably say over 1,000.
MF:
Wow!
LB:
Woah!
JF:
Yes, because I did
—
in
2016
—
15
(2015)
I
actually did a show
in
—
Greensboro
—
in North
Carolina, which was
—
a church event
—
which
is Cool
JC
—
teach of our lord Jesus Christ,
and they had an event and I took like 17 boxes of hats. U
–
Haul boxes, so you see the
height like the shipping boxes had 17 boxes of that shipped to
—
Greensboro.
MF:
Wow.
JF:
Each of the them had about 20 pieces in it. So, that was a lot of hats and I was just
thinking about that and
then
I
look
—
I was
look
ing
at 2016 and I did one in Orlando, in
Southern Women show and so, I’m like
,
“
I’ve lost count of it
!”
Actually,
when I look at
some of our pictures. I’m like “Oh, I’ve made this years ago, I’ve forgotten about this
hat.” You know.
MF:
[Laughs]
JF:
So,
it
just
—
you
just make
—
you
keep making it all the time.
LB:
That’s great!
JF:
Yeah!
MF:
What inspires the look of your hats?
JM:
My hats our very heavily British inspired. You know
,
London is the
—
they wear hats like
basically
—
they
—
they
make the pomp and glory look like out of this world. And we’ve all
seen it with the Royal weddings that came
up
—
in 2011 and this one that came up
recently Meghan
Merkle.
So
—
Markle
,
so that was like
—
they
—
they wear hats! And now
they t
urned it into
more like the fascinat
ors,
and it’s eas
ier
to make the fascinators. Very
easy to make fascinators and so
—
fascinators
is just ideas. What you can put together
that will look real fancy. That will look like out of this world. You want to go there with a
showstopper. You want to go
and
everybody’s looking at you. I remember one of the
times my
—
my
mom, my sisters
and I
have
twin sisters, and went to a friend’s wedding
in Delaware. So, she just
—
we walked in there like
—
we drove, and they were
—
taking
your car from you, like Valet parking and everything. So, we just got out of the car and
they all had hats, but my sister was driv
ing and had a hat that was like out of this world
with
feathers and everything.
The when
she got out of the car, the Valet came and
cameras were just all over her
—
w
hich is you know
—
I was like
,
“What is going
…” and
the Groom was standing
at the
top
it
—
and this table is
laughing, saying, “Oh my
goodness
!
T
hese are our friends
!
T
hese
are not even part of the
bridal part
!
”
You know,
because they thought
—
LB:
[Laugh]
JF:
And they were just taking pictures all over, and we have so many of those pictures. So
, I
just said you know
,
“A hat makes a big difference.”
I
f you put on a hat know all heads
will start turning, just because you’re wearing a hat.
LB:
Right!
JF:
But i
f everybody walks around in the same kind of clothes
,
and
they look at you and be
like oka
y just another person, but a hat, I think
—
that why we always say
, “W
e make
showstopper pieces.
”
W
ere
—
you
actually stop and look at you and say, “Okay this is
—
this is nice!”
MF:
Tell us
about
the process of making a hat
—
form start to finish. What materials
do you
use and things like that?
JF:
The different types of hats that
—
we ma
k
e. The Summer hats are easier to make,
because a summer hats are usually made with
—
bananas straw, sinamay, the pieces that
you’
ve seen here are made with sinamay, because they are summer hats.
And sinamay
is
—
is like
—
originally from
—
the Philippines. So, we get that fiber from the Philippines.
It’s very malleable, it’s easy to
—
you know
—
use and bend and everything, and some of
them a
re stiff
ened
and others are not stiffened. But like to make the large hat
over
there
—
like that one over there. That particular hat
,
a friend of mine, wa
nts
—
is
going to
use it for
—
a function next week
.
A
nd she wanted me to do a similar hat that Oprah
wore
—
a
t the Royal wedding
—
by Stella McCartney
.
So, this is
a
—
complete replica of
that hat.
LB:
Oh, neat!
JF:
What
—
you start with
—
first
, y
ou have to have your Hat blocks. Hat blocks are really
expensive.
MF:
Yeah
?
JF:
Yeah, the H
at blocks expensive. They run you anything from like £325 which is like $500
for a block. And
—
so first you have to have your hat blocks. You cover the hat blocks
with
cling film
, or foil
,
aluminum foil. Then you get your material
—
the sinamay material.
You
usually cut them on the bias.
Cutting them on the bias means you
—
you
cut at an
angle, like a
90
–
degree angle,
that can be flexible to move. And you
—
some people will
do it like one layer or two layers. I usually do three layers of the sinamay to make it
ve
ry
—
durable.
And then you put it in
—
lukewarm water, and if it stiffened
—
you already have it
stiffened, you can still put a little bit of
—
glue. You take one
—
for every
one pot of glue
you put
four
pot of water and then you put in the water
,
and then you mix
it up
.
P
ut
the
—
sinamay
in
—
then you pull it over the block and then you pin them. Pinning is
another
—
it’s
—
it’s
a tedious job
.
L
ike you pin the hat into the shape of the block.
If I’m in a rush, I’ll just get a
—
hairdryer
—
and start blowing it over the materials
—
so like
it dries quickly. If I’m not in a rush, I’ll just leave it.
MF:
Mm
–
hmm.
JF:
So, most of the times I’ll have hats
—
hats that have been blocked sitting in my area
where I work and just leave them over there for
—
a couple days to dry. Then I
’ll
take out
the pins, I’ll get an iron
—
and iron the hat o
ff
—
of
the block and remove it.
Once you
take it off the block you’re going to
—
usually that will be maybe the crown
—
a hat is a
crown and a brim. So, you do the brim and t
hen you do the crown as well.
And then you have to put
—
Millinery
–
wire
—
around the base of the hat to give it that
shape, for the shape to stay in shape. Usually when you take it off the block it’s already
in the shape. And
—
you put the wire on and you join
the brim to
—
you join the
—
crown
to the brim, and after that you sew that. Sometimes, I hand
–
stich most of my hats.
LB:
Wow!
JF:
I just sit down and hand
–
stich them, but you can use a Sewing
–
machine, I have a Sewing
–
machine that I use as well.
MF:
Mm
–
hmm.
JF:
And after that is done
—
I’ll just
—
leave it for little bit. Put the
—
wire
—
the
—
the
brim
—
your
other
—
the crown, you should put like a ribbon
—
you know
—
around it so that
—
you don’t have any grease or anything like
—
you know. So, you put that on and then
I’ll
have
—
I’ll decide what I’m going to decorate it with. What you are going to adorn it with,
it could be flowers, I usually make my own flowers as well.
LB:
Wow!
JF:
I make my hand
–
flowers and it could be feathers, it could be parrot
—
it could be
—
cock
–
fea
thers, it could be
—
different type of things that you want to. People do like crazy
hats, you can do a hat and decide, I’m going to put matchboxes on the hat, I’m going to
put like birds or something
—
you know. You can do different things. You know it’s real
ly
for Royal
–
ascot and for
—
the horse racing event. You can do those crazy stuff. But for
weddings and stuff
, you can
—
you’re doing more like, what I have done here with the
feathers. So, after that can you just decorate, and this can be done just like I sai
d, you
can actually do a hat in a day. If
your
—
if
somebody wants a hat, I can do it within a day
for you. Usually I’ll just block my hats and leave them, and when it’s ready I’ll just take
my time and do it.
LB:
Yeah.
JF:
Yeah.
LB:
What’s your favorite par
t? Is it making
—
like forming the shape of the hat or do you like
the decorating part? Where you actually get to put interesting
—
your twist?
JF:
Actually, I
’ll
—
I
like both of them in a way. Because when you block the hat and it comes
out
—
and you see
—
like this just simple material that you pulled over, and all of a
sudden, it’s got this shape. And you start pulling the crown to the brim
—
you know, and
you start pulling it together, and you see, oh it’s coming out nice
—
it’s shaping up
—
you
kno
w.
LB:
Yeah.
JF:
But I love the very part is decorating.
LB:
Yeah.
JF:
Because you
—
you
—
you
can
—
most of the time the final product would’ve tended
around several times. Because you might put a flower here, oh, this doesn’t look good,
let me put it here
—
you
know
—
you keep tending things around. But I love the
decorating.
LB:
Right.
MF:
Well, you mentioned some crazy hats that you’ve made. What would you say is the
most crazy, outlandish
showshop
—
s
topping one that you’ve made?
JF:
Actually, I did one
—
I did one
for my sister, one of my twin sisters and my sister and I
had a wedding on the 30
th
of
—
December
—
2016.
And b
ecause they
wore
all
these
different hats,
we’re
like “What are we going to do to
—
because people are going to be
looking at us and
they
know I make h
ats and what’s it going to be like?” So
—
she said,
“John, I just want this crazy hat with all these feathers and everything, and every color.”
I said, “How am I going to put every…” She said, I just want this rainbow of colors.”
LB:
[Laughs]
JF:
So, I made this, it’s a red base, it was like a fascinator, but it was a red base and it had
different feathers at different angles and when the wedding was a St. Paul’s here in
Winter Haven. And when she got out of the car
—
there was a guy that was driving
and
stop, because the twins were walking together and the other one also had a very nice
big bowler hat with feathers as well. And the guy stopped them
and said,
“if I don’t take
a picture of this hat and show it to my wife and just say to her. She
will s
end me back
the church to take a picture of you guys.”
LB:
[Laughs]
JF:
So
—
she
—
took that picture and that was one of the favorite hats and when that went of
Facebook and people were like, “Oh, my goodness John! What is this?” You know
—
LB:
[Laughs] That’s
great!
JF:
So, I
—
I’ve
done some pieces that
—
so many hats that are my favorite, so many hats.
But
I think one of the
—
the
hats that I really
—
like
apart from that particular showstopper,
there are so many showstoppers that I’ve done, but I love making hats f
or my mom,
because she wears it real well.
LB:
Yeah
.
JF:
She does, she wears it real, real well. So, she
—
she
never makes a mistake when she
wears a hat.
MF:
That’s awesome!
LB:
Did that start for her when she was young?
JF:
Yes, because
—
you know
—
she grew up in era where going to church you had to cover
your hair. And so
,
to cover your hair,
there was
other people used scarfs, but people
who were
like middle
–
class
would
wear the h
ats
,
the bonnets and
—
you know
—
little
things like
—
so she’s always
w
orn
hats as she was growing up. Because every Sunday
you had to cover your hair. And so, to cover your hair, you go to church and you know
—
cover it in school and all that kind of thing. So,
she always had to
—
always
have
something on her hair, and I think that is what inspired her and that is what inspired us
as well
—
to do it
MF:
Do you sell your hats? How do people get a hat from you?
JF:
I use to have like
—
like
—
I have a website
—
that is under construction now. Because I
just didn’t have time, most of the time to do these hats, sometimes you get busy. But
people
—
always
—
would either email me and say, “Okay, John I want a hat.” I’ll be like,
“Okay, let me send you a
couple of pictures of ones that I’ve made.” and usually when I
make a collection
—
every year I’ll make two different collections. I’ll make a Spring
–
Summer Collection and
then
I’ll make a Fall Collection. The Fall Collection is usually the
felts and the
—
fab
ric
—
you know
—
things. And then
—
I put it on Facebook. So, through
Facebook people will be just
—
calling me, “Oh, can I get this hat in different colors?” You
know, so that’s the way I do it, and I do sell some of the hats too. But I do go for
—
Hat
–
shows, like
I’ll go for
—
the Southern Women Show, the
y do
one in Orlando every
[Everyone laughs]
JF:
Because of these
—
stream of hats
—
you know
—
LB:
[Laughs]
JF:
And I said, “No, you’re not going to go on the website and start looking at the helmster”
But they just liked everything, and they were very surprised, that
—
like all the things
that I do, what time do you have to do, to do these hats.
LB:
Right!
JF:
B
ut I tell people, I said, “As a milliner the best time to work
—
is late at night. When it’s
quiet
—
peaceful
—
then you start making your designs.” You just sit down
—
and it
happens most of the time, my family would go to bed, and I’ll be
—
sitting down and
they’l
l be like, “Oh, you just gathe
red material! What are you going to do next?” And I
said, “When you wake up, you’ll see it.” So, when they wake up in the morning, they go
and look at
—
they’re like, “Oh, my goodness! Yeah, you did it!” And you know
—
that’s
—
that
’s
—
and that’s a nice thing about it, because that’s the time
—
that you get things
done
—
very well. You don’t want no
—
people bothering you
—
LB:
You’re like
—
JF:
You just want to sit quietly and just do what you have to do.
LB:
You’re like
the Santa of hats!
JF:
[Laughs]
LB:
Happens at night
—
JF:
At night, and when
—
LB:
You wake up and it’s there!
JF:
You wake up and it’s there!
LB:
[Laughs]
JF:
That
—
I love that! Actually, that’s what I like to do. [Laughs]
LB:
That’
s awesome! Well, thank you so much
—
JF:
Thank you so much for having me!
LB:
For coming in today! It’s been really
—
really awesome!
MF:
Yeah, thank you!
JF:
It’s also been really awesome talking to you guys!
And
—
thank you!
LB:
Have a Polktastic day!
JF:
Yo
u too! [Laughs]
[Theme Music]